The Tugendhat Chair, also known as the Pavilion Cantilever Armless Chair, was originally designed by Ludwig Mies van der Rohe in collaboration with Lilly Reich between 1929 and 1930 for the iconic Tugendhat House in Brno, Czechoslovakia.
The Tugendhat Chair's design is a hybrid reminiscent of van der Rohe’s famous Barcelona Chair but with the structural innovation of the Brno Chair.
Shown in Lino Aniline Leather on Hand Ground & Polished Mirror Chromed Stainless Steel.
The Archetype Forms Tugendhat Pavilion Chair: Cantilever Armchair is a faithful reproduction of the original Mies van der Rohe Tugendhat Armchair, model MR70.
The images shown are for illustrative purposes. Actual finishes, patterns, and details may vary slightly due to the nature of materials used and quality refinements. Colors and textures may appear differently across devices and screen settings.
Upholstery
Lino | Aniline Leather 1.3 mm$1,800.00 USD
A refined aniline Brazilian Nappa with a smooth, tight grain revealing delicate natural texture and wrinkles on close inspection. Aniline dyeing showcases the hide's authentic character while maintaining a clean appearance. Subtle surface sheen enhances the leather's natural beauty.
ORIGIN: Americas | Brazil
DYE: Full-Aniline
GRAIN TYPE: Buffed, Made from Full-Grain
HAND: Smooth, Tight
THICKNESS: 1.3 mm
FINISH: Natural Grain, Buffing
SURFACE: Subtle Sheen, Fine Texture
DIGITAL SWATCH: 2.5x2.5"
Leather
Lino | Aniline Leather 1.3 mm
Black | Aniline Leather 1.1 mm
White | Aniline Leather 1.1 mm
Papiro | Aniline Leather 1.1 mm
Terracotta | Aniline Leather 1.3 mm
Tangeri | Aniline Leather 1.1 mm
Carminio | Aniline Leather 1.4 mm
Ceruleo | Aniline Leather 1.5 mm
Woven Fabric
Wheat | Plain Weave
Valentino | Structured Woven
Chalk | Heavyweight Structured Woven
Chenille
Midnight Weave | Chenille Micro Boucle
Auburn Hue | Chenille Micro Boucle
Boucle
Marshmallow White | Classic Boucle
Midnight Black | Classic Boucle
Velvet
Obsidian Black | Woven Velvet
Moon | Etched & Knitted Velvet
Golden Ochre | Woven Velvet
Cerise | Heavyweight Woven Velvet
Sueded Leather | Nubuck
Black | Aniline Sueded Leather Nubuck: 1.8 mm
Rich Sierra | Aniline Sueded Leather Nubuck: 1.4 mm
Coturno | Aniline Sueded Leather Nubuck: 1.4 mm
Marsala | Aniline Sueded Leather Nubuck: 1.4 mm
Loden | Aniline Sueded Leather Nubuck: 1.8-2 mm
Vermiglio | Aniline Sueded Leather Nubuck: 1.8 mm
Premium 30µm multilayer chrome plating (2-4x thicker than industry standard) on 304 stainless steel. This finish delivers the highest-shine, most reflective finish available. Regular cleaning with soft cloth and occasional polishing maintains the pristine mirror-like appearance.
BASE: 304 Stainless Steel
FINISH: Multi-Layer 30µm Nickel-Chrome
APPEARANCE: Mirror like; Brightest reflectivity
CARE: Med-high; regular cleaning; chrome polish for extra shine; avoid hard impact or abrasive materials
Mirror Chrome Plating
Polished | Stainless Steel
Brushed | Stainless Steel
White | Powder Coat
Black | Powder Coat
Details
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Product Information
Product Details
Tugendhat Pavilion Chair, Cantilever Armchair
Originally designed for the Tugendhat House, a landmark of modern architecture and one of Mies van der Rohe’s defining life works, this armless chair embodies the principles of timeless design. Its cantilever base provides support with a subtle spring, while the seat and back feature large padded leather cushions supported by leather straps mounted on the steel frame.
Mies van der Rohe's belief that “it is better to be good than to be original” resonates in this design. By refining the cantilever chair concept, he created a piece that prioritizes structural clarity, comfort, and elegance—qualities that stand the test of time. It has been featured in various collections and exhibitions, including those at the Museum of Modern Art (MoMA) in New York.
Shop the Tugendhat Pavilion Chair: Cantilever Armless, originally designed by Mies van der Rohe, online in Canada and the USA. Bring the history of Bauhaus Design and International Style into your space.
Ludwig Mies van der Rohe was a German-American architect and designer who profoundly shaped modern architecture and furniture design. He began his career in Berlin before emigrating to the United States in 1937. Van der Rohe''s minimalist aesthetic is epitomized by his motto "less is more." His iconic Barcelona Chair and Ottoman (1929) were designed with Lilly Reich for welcoming the Spanish King and Queen to the German Pavilion at the Barcelona International Exhibition. His Barcelona Daybed (1930) and MR Chair series (1927) further showcase his mastery of minimalist form with organic and industrial materials. Mies's architectural achievements include the Seagram Building in New York and the Farnsworth House . His work is characterized by clean lines, detailed craftsmanship, and innovative use of industrial materials.
Construction
Upholstery: Custom Premium Hide or Fabric Selection from Archetype Forms
Structure: Bent Cantilever 304 Stainless Steel Frame in Mirror Chrome, Brushed or Polished, or Other Premium Treated, Painted or Powder-Coated Option from Archetype Forms
Support: Custom Natural Belting Hide or Other Premium Selection from Archetype Forms
Fastening: Metal Buckles
Padding: High-Density Polyurethane Foam
Available in an armchair or armless version
Reproduction
The Archetype Forms Tugendhat Pavilion Chair: Cantilever Armchair is a faithful reproduction of the original Mies van der Rohe Tugendhat Armchair, also known as the Pavilion Cantilever Armchair, model MR70. This item is not manufactured by or affiliated with the original designer(s) and associated parties.
Ludwig Mies van der Rohe was a German-American architect and designer who profoundly shaped modern architecture and furniture design. He began his career in Berlin before emigrating to the United States in 1937. Van der Rohe''s minimalist aesthetic is epitomized by his motto "less is more." His iconic Barcelona Chair and Ottoman (1929) were designed with Lilly Reich for welcoming the Spanish King and Queen to the German Pavilion at the Barcelona International Exhibition. His Barcelona Daybed (1930) and MR Chair series (1927) further showcase his mastery of minimalist form with organic and industrial materials. Mies's architectural achievements include the Seagram Building in New York and the Farnsworth House . His work is characterized by clean lines, detailed craftsmanship, and innovative use of industrial materials.
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